How to Interpret the Light Story for Delicious Paintings

Go beyond recording subject matter and explore the dynamics of using colour, value, and shape to create expressive, vibrant paintings. Learn how value contrast, saturated and desaturated colours, and colour temperature can help you depict light in any painting.
On Sunday from 6 pm to 8 pm John will demonstrate a step by step block in, a developed block in and how to finish. On Monday, from 10 am to 4 pm, participants will complete a painting staged as John demonstrated on Friday night but using a different subject.
John is a very well known locally based artist, and is widely recognized for his 20+ years teaching experience in all aspects of painting from plein air to studio. He has taught at the Haliburton School of the Arts, Southampton College, has lead numberous painting workshops abroad, and also is a mentor for Mastrius Arts.
Materials List
Canvas
1 canvas (having a spare is handy), 12” x 16” or larger (16”x 24”) or larger for experienced painters
Palette
12” x 16” paper pad
Palette knife
2” long diamond end
Brushes
Size: 1 inch Flats, long handle, synthetic bristle for acrylics, natural bristle flats for oil. Preferably not brights
Miscellaneous
Sketchbook for notes, Masking tape
Acrylic
Matte medium
Oil
Windsor and Newton Light Liquid Gel
Colours
Alizarin Crimson OR Permanent Rose, Cadmium Yellow Pale, Phthalo Blue (Red Shade) Titanium White
Before You Come to Class
Acrylic Painters: Seal your canvas with matte medium or Golden Gac100
Oil: Seal your canvas with Golden Gac100 and allow it to dry. Coat with a thin (not watered down) coat of gesso and you’ll be shocked at how wonderful the surface has become.